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Jim O’Rourke
Muni/Michel Piccoli
Guitar Series Vol. I
1993

Table of the Elements 
[Nitrogen] TOE-SS-7
7” single, hand assembled matchbook cover, metallic ink

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AMM (UK)
Tony Conrad (USA)
Faust (Germany, First US appearance)
Gate (New Zealand) w/ Michael Morley + Lee Ranaldo, Thurston Moore, Steve Shelley Keiji Haino (Japan)
Thurston Moore and Friends (USA) w/ Thurston Moore + Tim Foljahn, Steve Shelley
Zeena Parkins (USA)
Jim O’Rourke (USA)

Manganese
Table of the Elements Festival no. 1

April 23—April 24
1994

[Managanese] TOE-25

Table of the Elements/Tula Foundation
Tula Atrium (Georgia Museum of Contemporary Art)
75 Bennett St. NW Atlanta, Georgia
Two-day tickets: $25.00
Producers: Jeff Hunt and Kris Johnson

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TONY CONRAD (USA)
JOHN FAHEY (USA)
GASTR DEL SOL (USA)
BRUCE GILBERT (UK)
BERHNARD GÜNTER (GERMANY)
KEIJI HAINO + FUSHITSUSHA (JAPAN)
LOREN MAZZACANE CONNORS (USA)
JIM O’ROURKE (USA)
SPECIAL GUESTS

YTTRIUM
TABLE OF THE ELEMENTS FESTIVAL NO. 2

Table of the Elements
November 7, 8 and 9
1996

[Yttrium] TOE-29

The Empty Bottle
1035 N. Western Avenue
Chicago, IL
Three-day festival pass: $25.00
Producers: Jeff Hunt and Kris Johnson

"In the days leading up to Wilco's departure from Reprise, much was made about label concerns regarding the inaccessible sound of their fourth record, Yankee Hotel Foxtrot. And in a flurry of finger-pointing, no small number of digits were directed towards the man who mixed the album, composer/engineer/music man Jim O'Rourke. They're charges to which he pleads not guilty."
Rolling Stone

"I don't want to hear that."
Karlheinz Stockhausen

See:

Gastr del Sol
Faust
Tony Conrad

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OWN THE ARCHIVE

From 1993, US recording label Table of the Elements has staked its claim on a massive enterprise. It intends nothing less than to rewrite the history of American music in the second half of the 20th century. The label’s 150-plus releases are a vital contemporary chronicle, a survey of meaningful eruptions across a broad horizon of improvised, experimental, minimal and outsider sounds.

~~o0o~~

"The supremacy of Table of the Elements as an unwavering outpost of ultra-experimental strains can be attributed to its concomitant adherence to valiance. Most of the Table of the Elements catalog has no broad commercial appeal, and many of its projects are risky ventures, even with respect to the experimental marketplace. Yet, this philosophy of risk works because everybody associated with the label feels like they're doing important work releasing important records, and they're willing to go for broke to make it happen.”

—Pitchfork

"The music made and cultivated by such artists as Tony Conrad, Captain Beefheart, John Fahey, Cecil Taylor, Rhys Chatham, Charlie Feathers, Dock Boggs, Jim O’Rourke, Faust, Derek Bailey, Thurston Moore and Lee Ranaldo of Sonic Youth, Keiji Haino, Arnold Dreyblatt, Charley Patton, Harry Smith, and scores more, is at once among the most radical and deeply rooted of the 20th century, transcending time and place through the agency of the vibrating string, the resonance of the drone, the terrifying beauty of electric amplification, the hypnotic power of repetition, and the revelatory genius of cranky individualism. 

"How does someone begin to represent that in a visual manner? The trick involves some old-fashioned alchemy. Everyday commodity has to be constructed as both miniature museum and theater. No longer a mere object, it now becomes a site in which one can endlessly indulge a sense of wonder, love and, yes, obsession. It’s not often that someone can cast an influence on a broader design aesthetic — think Blue Note in the 1960s, with its hip Reid Miles album covers — but as this sizable body of work took shape, that’s exactly what happened.”

—Steve Dollar

“The hallmarks of this New Archivism [are] beautiful and innovative packaging, elaborate and idiosyncratic liner notes, rare and obscure recordings ... Working with graphic designers such as the Grammy-winning Susan Archie, [the label] produced a collection that combines varied textures, lavish finishes, and period details with art from the era of the original source recordings. Their treatment of Robert Longo’s late 1970s photographs for Rhys Chatham’s releases could, for instance, measure up to what’s on view at most contemporary art centers. In addition to its archival endeavor, TotE also releases the new work of its avant-garde heroes and their devotees. TotE’s active support of the work of sonic pioneers ensures that theirs are living traditions – not ossified museum objects.”

—Art Papers

Tony Conrad: Completely In the Present
A Film by Tyler Hubby

"Hubby's film captures Conrad in all his facets ... broadly as a man determined to make 'abstract art funny, happy, energetic, joyful.' Conrad lived long enough to see his early recordings, barely or never released, get the reissue and the attention they deserve. ... [Completely In the Present] is a sharp, sweet, eloquent documentary about the merriest, most artistically expansive minimalist on record. His work and his life asserted the importance of listening for the sounds nobody else has heard."

—Chicago Tribune

“Joyous, exhilarating, and transformative, Tyler Hubby’s documentary is essential viewing for anyone involved in the history of music and visual art.”

—Artforum

"Conrad was 100 percent badass. Without Tyler Hubby’s documentary and Table of the Elements ... one of the great stories of American music and art might have gone underappreciated.”

—Henry Rollins

All contents ©1992–2024 Table of the Elements ®2024 Table of the Elements Archive. All Rights Reserved. Related media from the Table of the Elements Archive published courtesy the estate of Tony Conrad.

Since 1993, Table of the Elements has staked its claim on a massive enterprise. It intends nothing less than to rewrite the history of American music in the second half of the 20th century -- and beyond. The label’s 150-plus releases are a vital contemporary chronicle, a survey of meaningful eruptions across a broad horizon of improvised, experimental, minimal and outsider sounds.

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